sloan, 18, a big gay.

preferred gender pronouns they, them, and theirs.

 

“There was an idea to bring together a group of remarkable people, so when we needed them, they could fight the battles that we never could… “

(Source: moveslikekunis)

aleium:

schakerin:

whitegirlblogger:

      ♥ ♡ ♥             ♥ ♡ ♥

    ♥           ♥   ♥            ♥
    ♥        make out        ♥

      ♡      with me        
         ♥                    ♥
            ♥              ♥
                 ♥ ♡ ♥
                    ♥

       ♥ ♡ ♥             ♥ ♡ ♥

    ♥           ♥   ♥              ♥
    ♥                               ♥

      ♡           no            
         ♥                    ♥
            ♥              ♥
                 ♥ ♡ ♥
                    ♥

       ♥ ♡ ♥             ♥ ♡ ♥

    ♥           ♥   ♥              ♥
    ♥                               ♥

      ♡          ok             
         ♥                    ♥
            ♥              ♥
                 ♥ ♡ ♥
                    ♥

sloan bitches about their menial, first-world problems

  • my jaw pops constantly
  • this is usually fine but my jaw really hurts since last night
  • it was my last day of school ever today and there is still so much school shit to do
  • i am a bad spf co-director
  • i have to go to my grandma’s house and spend time with her and i like her and everything but we have very different mindsets and don’t get along well and i am stressed
  • i still haven’t heard from AMC
  • i went to go register to vote today and an older lady told me i was a beautiful girl
  • the highland games are tomorrow and i probably still won’t go even though i tell myself i should every year 
  • i want to go to the newspaper banquet but the drama banquet is the same day and it is really boring and long and idc that much anymore
  • i just want to have a job and work and sleep until MCAD is that too much to ask

quipquipquip:

bumblebeepixie:

korovamilk:



INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.



well fuck me gently with a chainsaw


How did I miss this?

Have I ever mentioned that I have a minor in film studies? Because that part of me just came rainbows at how awesome this is, my word. I need to have a Tarantino marathon. Like, now.

quipquipquip:

bumblebeepixie:

korovamilk:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

well fuck me gently with a chainsaw

How did I miss this?

Have I ever mentioned that I have a minor in film studies? Because that part of me just came rainbows at how awesome this is, my word. I need to have a Tarantino marathon. Like, now.

mail-man:

willkommen-bienvenue-welcome:

flipsidecracker:

sunshinedaisieswindmills:

$3
Maybe $3.50. But probably just the 3.

43.5…. yeah…

The fuck?!  $46.50.  That seems like too much.

$30.50
well

$67. 

welp

mail-man:

willkommen-bienvenue-welcome:

flipsidecracker:

sunshinedaisieswindmills:

$3

Maybe $3.50. But probably just the 3.

43.5…. yeah…

The fuck?!  $46.50.  That seems like too much.

$30.50

well

$67. 

welp

(Source: greentacosandham)

TEST YOUR KEYBOARD

mail-man:

gravityisforsuckers:

Hold both shift keys down, and try to type “THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG.”  


THKBNFJS THLAY DG.

holy shit

TEQUICKBRONOXUMSOVERTEAZYOG

wat

TEQUICKBROWNOXUMPEDOERTELAYYELLOWDOG